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| What kind of bird are YOU? |
This movie, as the rest of Anderson's work, is unmistakably his. The unique style he has built over the years, together with cinematographer Robert Yeoman is absolutely visible, with the square framing, the prevalence of static and sideways tracking shots, and of course the heavy use of symmetry and the defining colors. Colors which are perhaps a bit more dull than the extremely vibrant colors in other of his works, like the more recent and, too, brilliant, The Grand Budapest Hotel. [...]
